First, off: “verbify” is a word. It means what it sounds like: use something as a verb.

In 2015, the late comedian Norm Macdonald tweeted about the time he met Bob Dylan.

According to Macdonald, they talked about all kinds of stuff, like their favorite books of the Bible. (Norm said he liked Job, Bob said he liked Ecclesiastes.)

At one point, Macdonald said, “I remember he talked over and over about verbs and about ‘verbifying’, how anything could be ‘verbified.’”

The writer Tony Conniff wrote a piece about Dylan’s use of verbs and used “Tangled Up in Blue” as an example:

They drove that car as far as they could
Abandoned it out West
Split up on a dark sad night
Both agreeing it was best

She turned around to look at him
As he was walkin’ away
She said this can’t be the end
“We’ll meet again someday on the avenue”

Tangled Up In Blue

“So much of the story,” Conniff writes, “is in the rich, vivid, and active verbs. It’s something you can find in almost any Dylan song.”

Of course, it ain’t like no other songwriter has ever talked about verbs before.

“When you’re writing a song,” said Chuck Berry, “nouns and verbs will carry you right through.”

UPDATE (9/20/2024): A reader sent me this Calvin & Hobbes cartoon about “verbing”:

Filed under: Verbs.

I saw a trackback to my blog with this quote:

“The notebook is the place where you figure out what’s going on inside you or what’s rattling around. And then, the keyboard is the place that you go to tell people about it.”

Who said that? I thought. That’s pretty good.

It was me. Many years ago!

Still pretty true, although, I also figure out a lot of stuff at the keyboard, too.

(I’m a little less binary than I used to be, which I count as progress.)

Here’s John Gregory Dunne, in his introduction to The Studio:

Writing is essentially donkey work, manual labor of the mind. What makes it bearable are those moments (which sometimes can last for weeks, months) when the book takes over, takes on a life of its own, goes off in unexpected directions.

Read more in last Friday’s newsletter, all about writing and how to make it less like Donkey Work. 

I don’t know how these Friday newsletters come together. Or maybe I do. They usually start with an image I want to put at the top, or a subject line. Today’s began with the subject line: “Listening is the whole deal.”

I came across that line when I was reading The Work of Art, and I knew I had 3 things I wanted to put in there — the Eno doc, Perfect Days, and the Four Tet interview — which were all somewhat related to listening. So once I had almost half the letter, I figured might as well make it a theme.

My favorite bit in the letter is item #9:

“The act of writing is to me to listen,” said Jon Fosse in his Nobel lecture. “When I write I never prepare, I don’t plan anything, I proceed by listening… At a certain point I always get a feeling that the text has already been written, is out there somewhere, not inside me, and that I just need to write it down before the text disappears.”

I don’t consider my newsletters fine literature or anything like that, but there’s something that happens when I’m out here in the studio at my desk, and I’m writing and just pushing things around, seeing how they bump up to each other — the arrangement presents itself, and the thing just comes into being.

At least, that is, when it’s going good.

Anyways: Happy Friday.